Surely no single artistic depiction of Emperor Norton has been reproduced more times, over a longer period, than the cameo “cut” of the Emperor that featured on the fronts of his various scrip between January 1871 and January 1880.
Although inked copies of the depiction appeared on some 3,000 of the Emperor's promissory notes over the course of 9 years, precious little can be said for certain about the original engraving — including who carved it.
In this exploration, we dig into various particulars of the two note printers of record — Cuddy & Hughes and Charles A. Murdock & Co. — and connect some dots that point to likely scenarios for (a) why and when the engraving was created; (b) what the model for the engraving was; and (c) how it was "stewarded" for 9 years.
Included here: A rarely seen — and very large — image of the earliest-extant Norton note from November 1870, including the Emperor's mostly-intact red wax seal.
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In summer 2016, The Emperor Norton Trust launched its digital ARchive of Emperor Norton in the Arts (ARENA) with 40-some images — including an intriguing illustration featuring Emperor Norton that appeared to be an early engraving created during the Emperor's lifetime.
The illustration appears in the 1964 book The Forgotten Characters of San Francisco. But, apart from a credit to Robert Grannis Cowan — the son of Robert Ernest Cowan (1862–1942), whose title essay anchors the book, and also apparently (the younger Cowan) the private owner of the illustration who gave permission for it to be reproduced — the book provides no details about the artist, original source, or provenance of the illustration.
For the last nine years, this has been the extent of our knowledge about this work.
A few weeks ago, seeking intelligence about an elusive cabinet card of Emperor Norton, I requested from the Society of California Pioneers some catalog information about the Emperor-related items in the organization’s collection.
Included in the information the Society sent to me was an unbidden clue about the enigmatic illustration — a clue that has enabled me to solve the mystery and, in the process, crack a window into the the elusive history of one of San Francisco’s most influential early engravers and one of the city’s earliest satirical magazines.
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