When Emperor Norton Became Protector of Mexico

October 18, 2024 / John Lumea

A certain conventional wisdom holds that Emperor Norton adopted the title "Protector of Mexico" around the time French emperor Napoleon III invaded Mexico in 1862 and installed his puppet ruler Maximilian I in 1864 — and that the Emperor dropped his "Protector" title a few years later.

The documentary record says otherwise.

Evidence suggests that Emperor Norton did not start using "Protector of Mexico" until early 1866, more than halfway into Maximilian’s tenure, but makes clear that he kept using the title — both to advocate for Mexico and for general purposes — for the rest of his life.

A surprising find: Norton I expanded his title to "Emperor of the United States and Mexico" in 1861.

By the time the Emperor assumed his protectorship of Mexico, he had relinquished his emperorship of that country.

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categories / Research, Proclamations, Original sources
tags / Mexico, Emperor of the United States and Mexico, Protector of Mexico, Napoleon III, Maximilian I, Robert Ernest Cowan, Albert Dressler, Allen Stanley Lane, William Drury, Emperor Norton Memorial Association, Woodlawn Cemetery, headstone, 1860, 1861, 1862, 1864, 1865, 1866, 1871, 1874, 1875, 1876, 1879, 1923, 1927, 1934, 1938, 1939, 1986

Music Had Charms for the Emperor Norton

September 10, 2024 / John Lumea

Emperor Norton's reign in San Francisco coincided with the advent and growth of opera in his adopted city.

In one of the Emperor's earlier Proclamations, published in December 1865, he enjoins his subjects to attend and support the opera, writing: "The man that has no music in his soul is fit for Treason, Strategem, and Spoils. Let no such man be trusted....The Nation that supports music shows an advancement in Civilization and Refinement."

In April 1872, Emperor Norton returns to these themes in a Proclamation that focuses on a specific company, the Bianchi troupe, that had been identified with opera in San Francisco for nearly 15 years — but now was failing.

Several episodes in the Bianchi story illustrate the challenges that beset the enterprise of opera in San Francisco during this period — challenges that lay at the heart of the Emperor's recognition that, in order for any opera troupe to nourish the public soul, it first must succeed as a business enterprise.

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categories / Research, Proclamations, Places, Original sources
tags / music, opera, theater, Bianchi, Eugenio Bianchi, Giovanna Bianchi, Maguire's Opera House, Academy of Music (Oakland), Tom Maguire, John Maguire, 1858, 1859, 1860, 1861, 1862, 1865, 1872

Emperor Norton at Sorbier's

June 16, 2024 / John Lumea

The San Francisco Examiner's 9 January 1880 obituary of Emperor Norton noted that "[h]is living was very inexpensive. He occupied a cheap room and boarded at cheap restaurants."

We recently discovered two sources that point to what appears to be a generations-forgotten association of the Emperor with such a spot: his breakfast patronage of Sorbier's Restaurant, on Commercial Street, less than a block from his own residence on Commercial.

Both sources are written by people who were in San Francisco during Emperor Norton's lifetime: The first is the Japan Weekly Mail's February 1880 obituary of the Emperor — the second, an article of reminiscences published in a San Francisco-based scientific journal in May 1910.

Read on for the full story.

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categories / Research, Original sources, Places
tags / Sorbier's Restaurant, Jules E. Sorbier, Jules Sorbier, International Restaurant, Occidental Restaurant, Commercial Street, Sacramento Street, Washington Street, Merchant Street, breakfast, Louise Bacon Sorbier, menu, photograph, Japan Weekly Mail, Mining and Scientific Press, San Francisco Daily Evening Bulletin, Samuel Williams, 1862, 1863, 1867, 1868, 1869, 1870, 1871, 1872, 1874, 1875, 1877, 1880, 1910

The Emperor Norton Cartoon That Got the Jump on Jump

March 28, 2024 / John Lumea

Ask any careful student of the Emperor Norton story to name the most famous early cartoonist of the Emperor and they are likely to single out Edward Jump (1832–1883). They would be right about that.

They might go on to credit Jump as the first artist to depict Emperor Norton with the dogs Bummer and Lazarus. About this they would be wrong.

It's true that, in the early 1860s, Jump created three cartoons that featured the Emperor and the dogs in the same scene — and that these cartoons have been influential in associating the Emp with Bummer and Lazarus in the popular imagination.

But, Jump was not the first artist to make this connection.

That distinction goes to someone who was not even a cartoonist by profession — but whose lithographed and published cartoon, apparently sold as a standalone sheet, showing Bummer and Lazarus sitting near Emperor Norton predates by as much as a year or more Jump's earliest cartoon showing these characters together.

This is the story of the artist and the cartoon that appear to be Edward Jump's conceptual influencer.

That we are aware, this is the first time the story has been told.

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categories / Research, Original sources, ARENA
tags / Art, artist, comic, cartoon, caricature, R.M. Evans, Edward Jump, Benjamin Franklin Butler, Benjamin F. Butler, B.F. Butler, Tompson in a Quandary, lithograph, lithographer, Bummer & Lazarus, George Washington II, Frederick Coombs, James Tompson, 1861, 1862, 1863

The Daily Alta's Emperor Norton Well

March 06, 2024 / John Lumea

Although Joshua Norton was perfectly serious in declaring himself Emperor in 1859, it generally is agreed that the San Francisco Daily Evening Bulletin published his original Proclamation as a joke.

It didn’t take long for other newspapers — in San Francisco, yes, but eventually across California and Nevada — to get in on the game of burlesquing the Emperor with fake stories about — and fake proclamations by — him.

William Drury may have been the first, in his 1986 biography of the Emperor, to point out that the Daily Alta California — in particular, the Alta’s city editor Albert S. Evans, pen name "Fitz Smythe" — was the real "pacesetter" in this, taking the mantle from the Bulletin and fully milking the comic potential of the Emperor’s persona.

Recently, I stumbled upon a couple of pieces of evidence — not mentioned in Drury’s account — that other newspapers at the time recognized the Daily Alta and Evans as tops in the field!

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categories / Research, Original sources
tags / Daily Alta California, Albert S. Evans, Fitz Smythe, editor, Daily Dramatic Chronicle, San Francisco Chronicle, Placer Herald, 1862, 1863, 1864, 1868, 1870, 1872

From 60 Miles to the East, A Newspaper Foreshadows Emperor Norton's Role as Defender of the Chinese

February 14, 2024 / John Lumea

In February 1868, Emperor Norton issued his first extant Proclamation in defense of the Chinese.

A year before that, in February 1867, an anti-Chinese riot in San Francisco prompted a San Francisco correspondent to a paper in Stockton — 60 miles to the east of San Francisco — to suggest that Emperor Norton was better-positioned than the San Francisco Mayor to lead on the Chinese question.

Did the Emperor and the correspondent know one another from before?

Had they traded their views on the Chinese question?

Did they influence one another on this issue?

Very likely, both men were regular visitors to the same building on Post Street between 1862 and 1867. This would have created the opportunity for them to meet and befriend one another.

If so, the operative question is: What did they talk about?

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categories / Research, Original sources, Proclamations
tags / race, racism, Chinese, riot, San Francisco, correspondent, newspaper, Stockton Daily Evening Herald, Linn C. Doyle, C.E.B. Howe, Charles Edward Bishop Howe, Dashaway Association, Dashaway Hall, Lyceum for Self-Culture, 1859, 1862, 1865, 1867, 1868, 1869, 1874

Emperor Norton Was a San Francisco Fixture Within 3 Years of Declaring His Reign

January 16, 2024 / John Lumea

From the time that Joshua Norton publicly declared and signed himself “Norton I, Emperor of the United States” in his Proclamation published in the San Francisco Daily Evening Bulletin of 17 September 1859, there was a more or less steady pulse of newspaper publications of his subsequent Proclamations — as well as newspaper reports of activities and sightings of the new Emperor.

But, at what point was there evidence of a separate public consciousness that this “Emperor Norton” might be a new character that was here to stay — a public awareness of the Emperor’s early ubiquity and fame?

When did Emperor Norton start to go meta?

Here, we document the earliest signs of local awareness that a new player had arrived on the urban stage.

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categories / Research, ARENA, Original sources
tags / fame, reputation, newspaper, report, editorial, humor, Art, cartoon, sketch, lithograph, T. Grob, Edward Jump, 1859, 1861, 1862, 1863

Joshua Norton, Pioneer

August 08, 2023 / John Lumea

In Colville’s San Francisco directory of 1856, Joshua Norton listed his “office” address as Pioneer Hall — the Society of California Pioneers’ headquarters and clubhouse on Portsmouth Square, San Francisco.

Joshua declared bankruptcy in 1856, so his living arrangements might have been unstable. But, he was affiliated with a Masonic lodge during this period — while he was not a member of the Pioneers.

So why did he list himself at Pioneer Hall rather than Masonic Hall (on Montgomery Street)?

Here’s a closer look at this episode, in which — apparently — Joshua Norton and the Pioneers were drawn into one anothers’ orbits and revealed things about one another in the process.

Includes a rarely seen 1861 photograph of Pioneer Hall after the Society had added “Pioneers” signage to the top of the building.

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categories / Research, Places, Original sources
tags / Society of California Pioneers, Pioneer Hall, Portsmouth Square, James Lick, Samuel Colville, address, directory, photograph, Overland Monthly, George R. Fardon, 1850, 1855, 1856, 1857, 1858, 1862, 1863

Emperor Norton vs. the Rev. Mr. Hammond

July 12, 2023 / John Lumea

Edward Payson Hammond was a celebrity preacher — a Billy Graham of his day.

Today, Hammond is much less well-known in the annals of American religion than his crusading contemporary, Dwight Lyman Moody.

But, in the 1860s and 1870s, E.P. Hammond was a phenomenon.

In February 1875, Hammond brought his traveling revival road show to San Francisco for what turned out to be a two-month stand.

To get preaching gigs like this, Hammond claimed to produce hundreds — even thousands — of “conversions” everywhere he went.

To gin up these numbers, Hammond’s stock-in-trade was badgering tiny children into believing that they were evil sinners in danger of hellfire.

Emperor Norton was not down with this — and, he found a way to say so in a Proclamation that was published on both sides of San Francisco Bay in March 1875.

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categories / Research, Proclamations, Original sources
tags / Edward Payson Hammond, preacher, revival, conversion, children, child, San Francisco, San Jose, Sacramento, Oregon, Andrew L. Stone, Peter Anderson, Pacific Appeal, Oakland Tribune, 1858, 1859, 1860, 1861, 1862, 1863, 1867, 1868, 1874, 1875

The Pantheonic Statuette of Norton I

May 30, 2023 / John Lumea

It’s well known that souvenir photographs and lithographs of Emperor Norton were sold in San Francisco shops during the Emperor’s lifetime.

Norton biographer William Drury takes it considerably further to claim that, by the early 1870s, there was a whole cottage industry of “Emperor Norton statuettes, Emperor Norton dolls, Emperor Norton mugs and jugs, Emperor Norton Imperial Cigars” — and even that there were peddlers hawking Emperor Norton merch at his funeral.

I find no evidence to support much of what Drury asserts — but…

In 1877 — a couple of years before Emperor Norton died in 1880 — a German immigrant jeweler and sculptor in San Francisco created a highly accomplished statuette of the Emperor that deserves a much closer look than it has received.

Although there is no ready evidence that this nearly-two-foot-tall statuette was sold in shops, there is evidence to suggest that it was a fixture in San Francisco saloons — and even that the Emperor himself had a copy in his apartment.

Among other things, I document here the three known copies of the statuette and offer a glimpse into the life and work of the sculptor.

There even are cameo appearances from historians of Ancient Rome and the Oxford English Dictionary.

It’s a fascinating story, previously untold.

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categories / Research, Original sources, Tributes, ARENA
tags / Art, sculpture, statue, statuette, figurine, Herman J. Brand, Jonas Brand, jeweler, sculptor, plaster, medallion, token, charm, gold, saloon, Fine Arts Museums of San Francisco, Society of California Pioneers, Wells Fargo History Museum, Santa Rosa Press Democrat, Allen Stanley Lane, William Drury, photograph, cabinet card, painting, lithograph, terra cotta, Pantheon, pantheonic, Rome, Oxford English Dictionary, 1862, 1865, 1867, 1868, 1869, 1872, 1876, 1877, 1878, 1879, 1880, 1881, 1883, 1906, 1921, 1930, 1935, 1939, 1986, 2021

The Time Emperor Norton Was a "Pepper" Too

April 18, 2023 / John Lumea

On Christmas Eve 1862, at the Royal Polytechnic Institute, in London, the Institute’s director, John Henry Pepper, debuted his theatrical refinement of a reflection illusion that came to be known as “Pepper’s ghost.”

The sensation had made it to the United States by the early 1870s — probably initially being performed as a sideshow attraction.

But, on the evening of 26 December 1879, the resident company of the Metropolitan Theater in Sacramento, Calif., used what they called “the Pepper Mystery” to dramatize the Emperor Norton.

It was a commonplace in the 1860s and ‘70s for theater troupes in San Francisco and elsewhere in California to burlesque the Emperor for laughs. But, it seems as though this performance might have been a little different.

Did members of the audience at the Metropolitan all slap their knees at the sight of an ethereal Emperor Norton on the stage? Or did some shed a quiet tear for the passing of an era that too quickly was slipping through their fingers?

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categories / Research, Original sources, Places, Tributes
tags / Pepper's ghost, Pepper's Mystery, Pepper Mystery, illusion, reflection, effect, John Henry Pepper, London, Theater, theatrical, Metropolitan Theater (Sacramento), Sacramento, George Stevens, Eureka, Josh Ellingson, experiment, 1862, 1870s, 1877, 1879

Recovering Emperor Norton’s 1861 Proclamation Against Privateering

August 12, 2022 / John Lumea

In June 1861, Emperor Norton issued a Proclamation against privateering — which basically was state-sanctioned piracy.

Recently, we discovered — or, more accurately, recovered — an image of the Emperor’s handwritten manuscript of the Proclamation that was published in a tiny magazine of California history in 1956. The print copy of the relevant issue of the magazine is at the San Francisco Public Library and was scanned and added to the Internet Archive in 2014.

We’ve not yet been able to determine whether the Proclamation was published. What seems clear, though: The existence of the Proclamation flew under the radar between 1861 and 1956; the publication of the manuscript in 1956 made little or no impression; and the Proclamation has continued to fly under the radar for the nearly 70 years since.

We’re delighted to be able to bring it back to the surface now.

One reason why this Proclamation is of interest: It offers a possible clue for explaining the still-undocumented claim that Emperor Norton called for a “League of Nations.”

Also included in this article: Details about the pioneer San Francisco bookseller Jefferson Martenet (1826–1906), whose preservation of the Norton manuscript in a personal scrapbook made it possible for us to find the manuscript in 2022.

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categories / Research, Original sources, Proclamations
tags / privateering, piracy, Paris Declaration Respecting Maritime Law, international law, Jefferson Martenet, Epes Ellery, Daniel Schley, bookseller, stationer, stationery, printer, California Herald, League of Nations, 1854, 1861, 1862, 1956

Emperor Norton's Friend the Butcher

June 20, 2022 / John Lumea

There are many contemporaneous references to Emperor Norton’s associations with various people and places.

But, the Emperor was a public character. And, the accounts of his engagements with particular people mostly are accounts of conversations and sightings in public places: libraries, lecture halls, churches, saloons, parks, resorts, trains, ferries, streets.

Much rarer are eyewitness reports of Emperor Norton in more intimate settings, such as someone’s home.

Herein, a trace memoir of the Jewish friend who had the Emperor home for dinner on more than one occasion — and documentation of who the friend was.

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categories / Research, Places, Original sources
tags / Abraham Yehl, Josephine Yehl Groeschel, Josephine Groeschel, dinner, butcher, San Francisco directory, U.S. census, business card, Gradwohl & Cohen, Congregation Emanu-El, Temple Emanu-El, Home of Peace, Fanny Yehl, San Francisco Chronicle, 1854, 1858, 1862, 1868, 1915, 1953

The Secret History of One of Emperor Norton's Favorite Free-Lunch Haunts

March 04, 2022 / John Lumea

In his 1986 biography of Emperor Norton, William Drury leaned heavily into anecdotal stories forging an association between the Emperor and Martin & Horton’s, a saloon at the southeast corner of Montgomery and Clay Streets, San Francisco, that was known as a hub for editors and reporters — and also for having one of the better free-lunch counters.

But, it turns out that, in addition to Martin & Horton’s, the building on this corner — which was directly across Clay Street from where the Transamerica pyramid now stands — housed a second saloon — a spot that also was known for its good food and drink, and for catering to the journalists and writers who covered the Emperor in their papers.

Which begs the question: Was Emperor Norton a regular at one saloon? — the other? — or both?

Jumping off from a well-known photograph of the Montgomery and Clay building after it suffered a fire in November 1862, the following research documents in some detail the overlapping histories of these two saloons and their proprietors — whose businesses had space in two different buildings on this corner between 1854 and 1887.

It’s a fascinating story.

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categories / Research, Places, Original sources
tags / Martin & Horton's, Clark Martin, Tom Horton, Faust Cellar, Louis Thiele, George Thiele, Joseph Hug, Montgomery Street, Clay Street, free lunch, 1854, 1857, 1862, 1865, 1870, 1873, 1887

Did Emperor Norton Really Live at the Eureka Lodgings on Commercial Street for 17 Years?

January 14, 2022 / John Lumea

The received wisdom, since the time of Emperor Norton’s death in January 1880, has been that the Emperor lived at his final and most famous San Francisco residence — the Eureka Lodgings, at 624 Commercial Street between Montgomery and Kearny — “for seventeen years.”

That was the phrase that a number of San Francisco papers used in their obituaries and funeral notices. The most influential Norton biographers of the twentieth century extrapolated from this that the Emperor lived at the Eureka from 1863 to 1880. And, now, this claim is firmly ensconced as one of the most oft-invoked tenets of the biographical catechism of Norton I.

But, the directories of the period don’t support an 1863 arrival date.

Rather, they suggest that the Emperor might have taken up his room at the Eureka Lodgings as late as summer 1865.

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categories / Research, Original sources, Places
tags / San Francisco directories, Metropolitan Hotel, Benton House, Eureka Lodgings, 624 Commercial, Felix Hanlon, Aaron Babcock, David Hutchinson, obituaries, San Francisco Chronicle, San Francisco Morning Call, Daily Alta California, Robert Ernest Cowan, Allen Stanley Lane, David Warren Ryder, William Drury, E Clampus Vitus, 1861, 1862, 1863, 1864, 1865, 1867, 1868

The Emperor Was Not Amused

December 21, 2021 / John Lumea

Ostensibly, this is a piece about our recent discovery of a Proclamation in which Emperor Norton, in 1867, prohibited unauthorized stage depictions of himself.

But, a theater’s offending play and the Emperor’s response are the bread of the sandwich on offer here. The real meat is a brief history of the varied theatrical/“amusement” enterprises and their producers/impresarios that, over the course of a decade or so in the 1850s and ‘60s, occupied the second floor of the building where the play was staged — a building just around the corner from the Emperor’s imperial digs on Commercial Street in San Francisco.

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categories / Research, Proclamations, Places, Original sources
tags / California Exchange, Kearny Street, Clay Street, Second Committee of Vigilance, John "Grizzly" Adams, Pacific Museum, Ferdinand Gilbert, Gilbert's Melodeon, Lotta Crabtree, William Worrell, Worrell's Olympic, Olympic Theater, The Naked Truth, Frank Prescott, Theater, burlesque, 1850, 1855, 1856, 1859, 1862, 1865, 1867

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