The Emperor Norton Trust

TO HONOR THE LIFE + ADVANCE THE LEGACY OF JOSHUA ABRAHAM NORTON

RESEARCH • EDUCATION • ADVOCACY

Filtering by Tag: 1870s

A 19th-Century Artist Credited With Four Depictions of Emperor Norton — Each of Them Different

Cartoonists George Frederick Keller (of the San Francisco Wasp) and Edward Jump are well-known as artists who — during Emperor Norton's lifetime — often featured the Emperor in their works.   

Much less well-known — indeed, not known at all by most — California pioneer artist and lithographer George Holbrook Baker (1827–1906) is credited with four depictions of Emperor Norton: (a) two in multiple-figure engravings published in 1864 and 1865 and (b) two unpublished sketches of the Emperor dated to c.1860.

The subject matter, dates, and attributions of the published works are not in question. 

But, in this new analysis, we raise serious questions about the unpublished works, including: the characterization of the Emperor in these works, the dates, the artistic attributions, and — in one case — the subject matter itself.  

If you've never heard of a white male anti-Catholic anti-immigrant secret society, the Patriotic Order Sons of America, that was established in Philadelphia in 1847 and briefly active in California in the 1870s and '80s, count this as one more reason to pull up a chair.

Includes images of very rarely seen works.

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The Time Emperor Norton Was a "Pepper" Too

On Christmas Eve 1862, at the Royal Polytechnic Institute, in London, the Institute’s director, John Henry Pepper, debuted his theatrical refinement of a reflection illusion that came to be known as “Pepper’s ghost.”

The sensation had made it to the United States by the early 1870s — probably initially being performed as a sideshow attraction.

But, on the evening of 26 December 1879, the resident company of the Metropolitan Theater in Sacramento, Calif., used what they called “the Pepper Mystery” to dramatize the Emperor Norton.

It was a commonplace in the 1860s and ‘70s for theater troupes in San Francisco and elsewhere in California to burlesque the Emperor for laughs. But, it seems as though this performance might have been a little different.

Did members of the audience at the Metropolitan all slap their knees at the sight of an ethereal Emperor Norton on the stage? Or did some shed a quiet tear for the passing of an era that too quickly was slipping through their fingers?

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Rarely Seen Version of Familiar Photo Reveals Clearer Picture of Emperor Norton

In the mid to late 1870s, the Bradley & Rulofson studio created one of the seven photo-portraits of Emperor Norton the studio is known to have taken of the Emperor during his reign. The seated Emperor is holding his favorite walking stick, and his Chinese umbrella is propped against the chair.

The best-known version of this photograph appeared in a book published in 1964. The photo appears very dark — which adds to the mood but also obscures many details.

Here, we present a rarely seen brighter, more balanced — and more revealing — version of the photo that appeared in 1961.

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Stereographic Photos of Emperor Norton on a Chinatown Street (Hi-Res Edition)

Last week, a long-rumored and probably unpublished pair of stereocard photographs of Emperor Norton on a street in San Francisco’s Chinatown appeared on Facebook.

The Emperor Norton Trust is delighted to be able to publish, for the first time, large, hi-res images of the original stereocard, courtesy of the previous owner.

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Emperor Norton at Ease

One of the most arresting and enigmatic images of Emperor Norton is an 1870s watercolor of him — in street clothes and smoking a pipe — that hung for more than 30 years in the library of the Bohemian Club, in San Francisco. No doubt known by the Emperor himself during his lifetime, this painting later made its way into the Overland Monthly — thanks, in part, to a member of Robert Louis Stevenson's extended family.

Here's the story of this wonderful portrait.

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