In the mid to late 1870s, the Bradley & Rulofson studio created one of the seven photo-portraits of Emperor Norton the studio is known to have taken of the Emperor during his reign. The seated Emperor is holding his favorite walking stick, and his Chinese umbrella is propped against the chair.
The best-known version of this photograph appeared in a book published in 1964. The photo appears very dark — which adds to the mood but also obscures many details.
Here, we present a rarely seen brighter, more balanced — and more revealing — version of the photo that appeared in 1961.
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Photographs of Emperor Norton show that, just as the Emperor had a favorite walking stick, he also had a favorite hat pin — in the shape of a spread-winged bird.
Artists in the Emperor’s day painted and drew him wearing this pin.
It’s not surprising that contemporary San Francisco artists have rendered the bird as a phoenix.
Alas — spoiler alert! — it turns out that Emperor Norton did not wear a phoenix in his hat; the Emperor’s bird was a military American eagle.
But, this particular eagle does trace its heraldic roots to a phoenix — albeit it not a San Francisco one.
The fascinating story of how the phoenix of Scottish heraldry was transformed into the eagle of U.S. government iconography traces through the righteous Scottish cause of Bonnie Prince Charlie, the Continental Army coat buttons of George Washington and the design of the Great Seal of the United States.
One could say that Emperor Norton was wearing an eagle and a phoenix all at once: appropriate for an Emperor of the United States whose Seat was in the cool, grey city of love.
Pull up a chair!
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Charles Murdock was a friend of Emperor Norton.
He also was a fine printer who created and produced the Emperor’s promissory notes for two years — from January 1878 until the Emperor’s death in January 1880.
Here are four rarely seen photographs of Emperor Norton’s printer and good friend.
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Two newly discovered photographs show new glimpses of the eastern end of the block of Commercial Street where Emperor Norton lived — as it was just after he moved there. The photos are from 1865 and 1866. The Emperor had moved to the block in late 1862 or early 1863. Samuel Clemens a.k.a. Mark Twain worked on this block — next door to the palace, in fact — in the summer of 1864.
These views would have been very familiar to both gentlemen.
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New Campaign research seems to confirm that a photograph sometimes thought to be of a young Emperor Norton is not the Emperor but just a boy with a military costume and a fake beard.
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To celebrate the advent of the bike craze in San Francisco, as memorialized by Eadweard Muybridge's iconic 1869 photograph of Emperor Norton on a bone-shaker, The Emperor's Bridge Campaign is delighted to be partnering with SF Tweed and San Francisco Steampunks to present a May Day bike ride ending with a picnic at Marina Green. Our friends from the Mechanics' Institute also will be joining us. Details on the flip!
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One of the most iconic images of Emperor Norton is an 1869 photo, taken by the pioneering photographer and inventor Eadweard Muybridge, of the Emperor astride a "velocipede," the contraption — newfangled at the time — that we know as the bicycle.
To celebrate this famous photograph, The Emperor's Bridge Campaign is partnering with the Mechanics' Institute, SF Tweed and San Francisco Steampunks to present a "couplet" of events: a free lecture at the Mechanics' Institute on Wednesday 20 April and The Emperor's Ride — a bike ride and picnic on May Day.
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Emperor Norton was a favorite subject of a number of celebrity portrait photography studios that came to prominence in San Francisco during his reign. The Emperor is most closely associated with the studio of Bradley & Rulofson; and he was included in the studio's Celebrity Catalogue, which clients used to order prints of photographs produced by the studio. The Catalogue was a kind of index of the social stratification of the day — and offers a window into the Emperor's place in the social structure.
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When we tried to establish the authenticity of an unsourced "Norton I" signature, we found the source — and a whole lot more.
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Three intriguing photographs of Emperor Norton taken by the studio of Thomas Houseworth & Co. in the 1870s show the evolution of the Emperor's style.
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Herb Caen had his reason's for not liking "Frisco." But perhaps they had very little to do with Emperor Norton.
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For all the hundreds of times that we've done a Google image search on "Emperor Norton" here at The Emperor's Bridge Campaign, the Internet still has gifts and surprises for us. Yesterday, it was the following image of a "cabinet card" of the Emperor dated c.1878 and credited to the studio of Bradley & Rulofson, which took many of the most famous photographs of Emperor Norton. We'd never seen this one.
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Early last month, we ran Eadweard Muybridge's wonderful exterior photograph of the 1866 building of the Mechanics' Institute, where Emperor Norton spent many afternoons, wrote many proclamations and played many games of chess. But the more elusive prize has been a photograph(s) of the building's interior — of the physical spaces that Emperor Norton himself inhabited on all those afternoons, so many years ago.
Happily, we now can close this gap.
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A remarkable 1868 photograph of a San Francisco street scene that would have been very familiar to Emperor Norton.
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Emperor Norton wrote many — possibly even most — of his Proclamations during his regular afternoon visits to the Mechanics' Institute at 31 Post Street, where he also is said to have played a fine game of chess. Here's a look at how the Institute featured in the Emperor's daily life, illustrated by a couple of photographs of the building — including a wonderful shot by the pioneering photographer Eadweard Muybridge (1830-1904), who also took the famous 1869 photo of the Emperor astride a bicycle.
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Some of the earliest photographs of the San Francisco-Oakland Bay Bridge were taken in 1936 by James Kenneth Piggott, a commercial photographer who made his living, in part, as a printer and publisher of postcards. More on Piggott — including an intriguing biographical overlap with Emperor Norton — plus three of his 1936 bridge photographs, after the jump.
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Joshua Norton arrived in San Francisco in 1849 and "reigned" from there as Emperor Norton from 1859 to 1880.
In 1864 — fifteen years after the Emperor's initial arrival and five years into his reign — Carleton Watkins took this photograph of the city, looking out toward Goat Island.
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