The Emperor Norton Trust

TO HONOR THE LIFE + ADVANCE THE LEGACY OF JOSHUA ABRAHAM NORTON

RESEARCH • EDUCATION • ADVOCACY

Filtering by Tag: Maguire's Opera House

Music Had Charms for the Emperor Norton

Emperor Norton's reign in San Francisco coincided with the advent and growth of opera in his adopted city. 

In one of the Emperor's earlier Proclamations, published in December 1865, he enjoins his subjects to attend and support the opera, writing: "The man that has no music in his soul is fit for Treason, Strategem, and Spoils. Let no such man be trusted....The Nation that supports music shows an advancement in Civilization and Refinement."

In April 1872, Emperor Norton returns to these themes in a Proclamation that focuses on a specific company, the Bianchi troupe, that had been identified with opera in San Francisco for nearly 15 years — but now was failing. 

Several episodes in the Bianchi story illustrate the challenges that beset the enterprise of opera in San Francisco during this period — challenges that lay at the heart of the Emperor's recognition that, in order for any opera troupe to nourish the public soul, it first must succeed as a business enterprise. 

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Two of the Earliest Sightings of Emperor Norton in Regalia

In September 2020, The Emperor Norton Trust uncovered a San Francisco Daily Evening Bulletin article from 26 May 1860 reporting that Emperor Norton had “again donned his epaulettes” for the previous evening’s promenade on San Francisco’s Montgomery Street.

The suggestion was that the Emperor had been seen wearing epaulettes before. But, the May 1860 article was — and has remained — the earliest documented sighting of the Emperor wearing his uniform in public.

Of course, the “best available evidence” is the “best” only until it is supplanted by something better.

This past week, we found two such pieces of evidence: contemporaneous reports of Emperor Norton wearing a uniform in March of 1860 — two months earlier than our previous finding indicated.

In one report, the Emperor debuted his new regalia during the St. Patrick’s Day festivities of 17 March 1860.

In another, he wore it to a performance of Richard III that was staged at Maguire’s Opera House, Washington Street, on 28 March 1860.

Part of the new documentation is a superb lengthy letter from the San Francisco correspondent of the Mountain Democrat newspaper of Placerville, Calif. — about “the movements of Joshua Norton.” The letter is worth the price of admission!

Click below for details.

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