In late 1882 — just shy of three years after Emperor Norton died in January 1880 — two brothers, Dick and Jack Kohler — arrived in San Francisco from Australia.
The Kohler brothers were known as musicians — quite famous ones — and had spent much of the 1870s in San Francisco cultivating that reputation.
But, on this return visit, the Kohlers brought something new: 150 wax figures, which they set up as a wax museum on Market Street.
A month after opening the museum, the Kohlers added a new figure to the exhibit: Emperor Norton.
The specific venue where this waxen Emperor stood watch is as significant as the tribute itself.
It’s a fascinating story. Dig in!
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At a special event on Thursday 13 October, titled My Emperor, My Muse, The Emperor's Bridge Campaign will bring together an eclectic and interesting mix of people — artists who've created specific Emperor-themed works and others who have thought deeply about Emperor Norton — for a conversation about the Emperor's abiding cultural import as an avatar of whimsy, openness, tolerance and fair play.
We'll learn why Emperor Norton moves these people; how he has shaped their projects; why they think the Emperor remains a cultural touchstone; and the role that they think art can play in shaping and polishing the stone.
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Written in 1944 by Lu Watters, "Emperor Norton's Hunch" became a signature song for Watters and his Yerba Buena Jazz Band. In this video, a recording of the song by the band is the musical setting for a quick look at answers to the two questions raised by the song's title: Who was Emperor Norton? and What was his hunch?
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