On 9 November 1879 — just two months before Emperor Norton's death — the San Francisco Chronicle published a Sunday front-page profile of the Emperor that was based on rare interview with the Emperor himself.
The profile was accompanied by a lovely drawing of the Emperor that was reproduced 60 years later for Allen Stanley Lane's 1939 biography, Emperor Norton: The Mad Monarch of America — but that has languished since then.
The Emperor's Bridge Campaign has had a new photographic print made of the drawing and has added a hi-res scan of it to ARENA, our digital ARchive of Emperor Norton in Art.
Learn more and see the drawing, after the flip.
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The familiar version of Joshua Norton's San Francisco immigration story — a narrative developed primarily between 1879 and 1939 by that period's leading writers about Emperor Norton — holds that the future Emperor made his way from Cape Town to Rio de Janeiro, where he booked passage on the Hamburg ship Franzeska and arrived in San Francisco on 23 November 1849.
The "story of the story" — of how this narrative came together and was canonized — is interesting on its own. What has yet to surface, however, is any primary-source documentation verifying Joshua's passage on any particular ship or his arrival in San Francisco in November 1849.
Absent such evidence, what we really have in the "received version" of this story — as with a number of details about the Emperor's pre-imperial life, in particular — is more a work of "collaborative intuition," a theory in search of documentation.
This is the first in an occasional series of articles on aspects of the Emperor Norton biography that should be regarded as "open questions" — and opportunities for research.
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On Thursday 23 March, The Emperor’s Bridge Campaign presents Lights! Camera! Norton! — an evening of three films about Emperor Norton at the legendary Roxie Theater in San Francisco.
The event includes a screening of our own 35mm print of a 1936 short that we believe features the earliest dramatic portrayal of the Emperor on film.
This special evening takes place in the 254-seat Big Roxie theater and is a fundraiser for the Campaign: After the first 50 tickets sold, 50 percent of all proceeds from this screening will benefit The Campaign.
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Tonight, the Emperor's Bridge Campaign is throwing the Emperor a party. A link to details and a comic from the annals of imperial confectionery humor, on the flip.
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At least three times — in a 1906 autobiographical reminiscence; in an 1893 short story; and in his 1872 book, Roughing It — Mark Twain mentions a low-fare eatery, the Miners' Restaurant, that was on the same street as — and only a block away from — the Emperor Norton's residence.
Twain himself is reported to have adopted this restaurant as his "headquarters" in the winter of 1866 and 1867.
Might the Emperor have frequented this place, too?
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Join The Emperor's Bridge Campaign in celebration of Emperor Norton's 199th birthday on 4 February 2017.
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For Emperor Norton Day 2017, a look at how — in both art and prose — the San Francisco Illustrated Wasp paid tribute to the Emperor on 17 January 1880, nine days after his death.
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On the eve of the 137th anniversary of Emperor Norton's death in 1880 comes a poignant artistic discovery from the pages of a celebrated magazine founded in the last years of his life.
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The songwriting team of John Kander and Fred Ebb are best known for their smash musicals Cabaret and Chicago. But Kander and Ebb's first musical theater collaboration was on the 1962 score for an unproduced musical inspired, in part, by the story of Emperor Norton. The score includes a Happy New Year song. Step inside for a listen, as rendered by Kander and Ebb themselves!
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New Campaign research seems to confirm that a photograph sometimes thought to be of a young Emperor Norton is not the Emperor but just a boy with a military costume and a fake beard.
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Introducing a new cover page, a new navigational menu and a new URL to get you more quickly to information about The Emperor's Bridge Campaign's project seeking state legislation to name the San Francisco-Oakland Bay Bridge for Emperor Norton — or, more accurately, to add a name like "Emperor Norton Bridge" — by 2022, the 150th anniversary of the Emperor's proclamations setting out the original vision for the bridge in 1872.
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The annual holiday party of The Emperor's Bridge Campaign celebrates the legend that it was Emperor Norton who originally called for the raising of a great tree in Union Square every Yuletide season. By tradition, the celebration takes place on the second Sunday of December in the mezzanine of the historic House of Shields bar in San Francisco, where we'll gather for the fourth time on Sunday 11 December from 4 to 6 p.m.
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In 1918, author and literary anthologist Ella Sterling Cummins Mighels (1853-1934) recalled her childhood memory of Emperor Norton and recounted the special Decoration Day tribute that was repaid him five years earlier.
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On Saturday 12 November 2016, the Emperor Norton Bridge a.k.a. the Bay Bridge turns 80.
Please join The Emperor's Bridge Campaign for a celebration to wish the Emperor's bridge a happy birthday and to show your support for naming the bridge for Emperor Norton in 2022 — the 150th anniversary of the Emperor's proclamations in 1872 setting out the original vision for the bridge.
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There is a proposal afoot to name the Sharon Meadow, in San Francisco's Golden Gate Park, for the late comedian and actor Robin Williams. The rationale being used strengthens the case for naming the San Francisco-Oakland Bay Bridge for Emperor Norton.
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In 1959, "the Society of California Pioneers in cooperation with the San Francisco Chronicle" proposed an Emperor Norton memorial plaque at the intersection of California Street and Grant Avenue — where the Emperor collapsed and died on 8 January 1880. A design for the plaque was created by Hubert Buel, the Chronicle's art director. Indeed, the design and text for the plaque were approved by resolution of the San Francisco Arts Commission on 1 June 1959.
And yet, today, there is no Emperor Norton plaque at California and Grant. In fact, it appears that the project never made it before the San Francisco Board of Supervisors — which typically would have to have given final approval for a project like this in order for it to move forward.
How did an Emperor Norton plaque with the collaborative backing of two storied institutions like the Society of California Pioneers and the San Francisco Chronicle get pushed off the tracks — and who did the job?
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In 1926, San Francisco-born artist Charles William Saalburg penned an article for The New York Times, in which he recalled many of the storied figures that peopled the San Francisco of his younger years. The piece featured Saalburg's own illustrations of these characters, including an undated rendering of Emperor Norton, which he depicted — perhaps from childhood memory — as a Santa Claus figure with an admiral's hat.
Saalburg's illustration of the Emperor is included in the Paintings gallery of ARENA, the Campaign's digital Archive of Emperor Norton in Art, Music & Film.
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Today, in celebration of his 90th birthday, Tony Bennett was on hand in San Francisco to receive a well-deserved tribute: the unveiling of a larger-than-life statue of him in front of the Fairmont Hotel, where he made his San Francisco debut in 1954 — and where he introduced his immortal signature song, "I Left My Heart in San Francisco," in 1961.
Bennett was given the tribute because — although he wasn't born in San Francisco, and although he never lived here — he was a true San Franciscan.
Emperor Norton is another gentleman who — like Tony Bennett — became a true San Franciscan by loving the city and being loved in return.
It is long past time for Emperor Norton to be honored with a tribute that rises to the level. A tribute that recognizes the Emperor for setting out the original vision for the San Francisco-Oakland Bay Bridge and for being one of the earliest champions of the values of openness, tolerance, fair play and the common good that came to be identified with San Francisco, Oakland and the Bay Area — and that celebrates him for doing all of this with the whimsical and irrepressible style that is the hallmark of his adopted city.
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At a special event on Thursday 13 October, titled My Emperor, My Muse, The Emperor's Bridge Campaign will bring together an eclectic and interesting mix of people — artists who've created specific Emperor-themed works and others who have thought deeply about Emperor Norton — for a conversation about the Emperor's abiding cultural import as an avatar of whimsy, openness, tolerance and fair play.
We'll learn why Emperor Norton moves these people; how he has shaped their projects; why they think the Emperor remains a cultural touchstone; and the role that they think art can play in shaping and polishing the stone.
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