The Emperor Norton Trust

TO HONOR THE LIFE + ADVANCE THE LEGACY OF JOSHUA ABRAHAM NORTON

RESEARCH • EDUCATION • ADVOCACY

Filtering by Tag: 1906

Bummer and Lazarus Turned to Dust a Little Later Than Believed

Over the last few decades, it has become something of an historical parlor game among certain San Francisco history buffs to try to determine what happened to the serially taxidermied hides of the legendary San Francisco dogs of the 1860s, Bummer and Lazarus.

The originally taxidermied dogs were donated to the Golden Gate Park Museum — the future de Young Museum — a donation that was recorded in the Museum’s collections catalog on 5 February 1906.

By 1986 — shortly after publishing his well-known 1984 book Bummer & Lazarus: San Francisco’s Famous Dogs — Malcolm Barker had concluded that the dogs were “destroyed.” By 2004, Barker had put a date on this: 1910.

Since 2020, San Francisco walking tour guide Joseph Amster — who has hung out something of a separate shingle telling the Bummer and Lazarus story in settings outside his tour — has concluded his presentations and interviews about the dogs on a note showing that his own research has led him to the same conclusion as Barker: that Bummer and Lazarus were destroyed in 1910. Amster adds the claim that the dogs were destroyed that year when they were sent out to be restuffed and found to be filled with bugs.

But, we have found previously unreported evidence in the form of contemporaneous newspaper reports that Bummer and Lazarus were restuffed and exhibited in November 1910, and that they were hanging out — and hanging on — at the Museum at least as late as June 1917.

Plus: When we contacted the Fine Arts Museums of San Francisco (FAMSF), the institutional parent of the de Young, last week to ask about all this, the Senior Registrar was unequivocal in confirming that, while FAMSF records do include undated notations that the Bummer and Lazarus taxidermies were “Destroyed,” Museum records do NOT include a DATE when the dogs were destroyed — or a reason why.

Lots of new documentation and detail in this deep-dive. Lots.

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The Pantheonic Statuette of Norton I

It’s well known that souvenir photographs and lithographs of Emperor Norton were sold in San Francisco shops during the Emperor’s lifetime.

Norton biographer William Drury takes it considerably further to claim that, by the early 1870s, there was a whole cottage industry of “Emperor Norton statuettes, Emperor Norton dolls, Emperor Norton mugs and jugs, Emperor Norton Imperial Cigars” — and even that there were peddlers hawking Emperor Norton merch at his funeral.

I find no evidence to support much of what Drury asserts — but…

In 1877 — a couple of years before Emperor Norton died in 1880 — a German immigrant jeweler and sculptor in San Francisco created a highly accomplished statuette of the Emperor that deserves a much closer look than it has received.

Although there is no ready evidence that this nearly-two-foot-tall statuette was sold in shops, there is evidence to suggest that it was a fixture in San Francisco saloons — and even that the Emperor himself had a copy in his apartment.

Among other things, I document here the three known copies of the statuette and offer a glimpse into the life and work of the sculptor.

There even are cameo appearances from historians of Ancient Rome and the Oxford English Dictionary.

It’s a fascinating story, previously untold.

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Is the Clock Tower of the San Francisco Ferry Building Based on the Bell Tower of a Cathedral in Spain?

In connection with The Emperor Norton Trust’s recent proposal that the San Francisco Ferry Building’s clock tower be named “The Emperor Norton Tower” next year — the 125th anniversary of the Ferry Building — we’ve been doing some additional research into the design and construction of the building and its tower.

The Ferry Building opened in 1898, and one of the chestnuts that has been repeated about the building for most of its lifetime — increasingly so in the period after World War II — is the claim that the design of the clock tower is “based on” — or “modeled after” — or “patterned after” the 12th-century bell tower, known as La Giralda, of the Seville Cathedral in Spain.

Some commentators have gone so far as to say that the Ferry Building clock tower is a “replica” of the Giralda.

But, the historical and visual record reveals the Ferry Building tower’s architectural debt to the Giralda to be significantly less than these unqualified claims suggest.

Read on for a well-documented, highly illustrated deep-dive.

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Emperor Norton’s Residence, the Eureka Lodgings, Was Not Located (Exactly) Where You Think It Was

Over the last 25 years or so, a consensus has emerged among those attuned to San Francisco history — and particularly among Nortonophiles — that the former site of the Eureka Lodgings — where Emperor Norton is documented to have lived between 1864/1865 and his death in 1880 — is the privately owned public open space (POPOS) known as Empire Park, located at 642 Commercial Street between Montgomery and Kearny Streets.

That's been the consensus.

But, a careful analysis of two key bodies of evidence — (1) photographs of this stretch of Commercial Street taken between 1877 and 1906, and (2) Sanborn fire insurance and official San Francisco block (property) maps from the generation or two before and after the earthquake and fires of 1906 — reveal the Empire Park designation to be mistaken.

The Eureka Lodgings was located on Commercial Street between Montgomery and Kearny — just not on that site.

In the attached deeply researched and documented — and extensively illustrated — article, I provide:

1) Confirmation — for the first time, I believe — of the visual ID of the Eureka Lodgings building, using photographs from during and after Emperor Norton's lifetime. (Don’t miss the fabulous detail in these new hi-res scans from 1878, c.1892–94 and 1906 — worth the price of admission!)

2) A new location for the former site of the Eureka that better accords with the historical record.

It's a deep dive — so, pull up a chair!

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