The Emperor Norton Trust

TO HONOR THE LIFE + ADVANCE THE LEGACY OF JOSHUA ABRAHAM NORTON

RESEARCH • EDUCATION • ADVOCACY

Filtering by Tag: Bummer & Lazarus

Herb Caen Bought the Myth that Bummer and Lazarus Were Emperor Norton's Dogs

In 1984, Malcolm E. Barker published his little book, Bummer and Lazarus: San Francisco’s Famous Dogs, about the free-range canine friends and ratters of the early 1860s who were so beloved that the city’s Board of Supervisors exempted them from its severe dog-culling policy — and who subsequently were immortalized in cartoons of this period by Edward Jump and others.

The book includes Barker’s finding — since widely accepted — that there is no contemporaneous evidence supporting the persistent, wishful claim that Bummer and Lazarus were Emperor Norton’s dogs — rather, that the association between the Emperor and the dogs is just another of the many later apocryphal legends attaching to the Emp.

Sometime in the 13-year period between the publication of Barker’s book and San Francisco Chronicle columnist Herb Caen’s death in 1997, Caen praised the book as “a wonderful addition to the shelf of Sanfriscana.”

But, for some four decades in the mid 20th century, Caen was among those who quietly but persistently gave oxygen to the urban myth that Emperor Norton owned Bummer and Lazarus.

Documented here are six examples from 1948 to 1985.

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The Emperor Norton Cartoon That Got the Jump on Jump

Ask any careful student of the Emperor Norton story to name the most famous early cartoonist of the Emperor and they are likely to single out Edward Jump (1832–1883). They would be right about that.

They might go on to credit Jump as the first artist to depict Emperor Norton with the dogs Bummer and Lazarus. About this they would be wrong.

It's true that, in the early 1860s, Jump created three cartoons that featured the Emperor and the dogs in the same scene — and that these cartoons have been influential in associating the Emp with Bummer and Lazarus in the popular imagination.

But, Jump was not the first artist to make this connection. 

That distinction goes to someone who was not even a cartoonist by profession — but whose lithographed and published cartoon, apparently sold as a standalone sheet, showing Bummer and Lazarus sitting near Emperor Norton predates by as much as a year or more Jump's earliest cartoon showing these characters together.

This is the story of the artist and the cartoon that appear to be Edward Jump's conceptual influencer.

That we are aware, this is the first time the story has been told.

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