The legendary San Francisco attorney Melvin Mouron Belli (1907–1996) was — among many other things — an enthusiast of the Emperor Norton.
No doubt, this — and Melvin Belli’s way with a pen — is why William Drury enlisted Belli to write the Foreword for his 1986 biography of the Emperor.
Throughout his very public life, Belli repeatedly and habitually associated himself with Emperor Norton.
As shown in the scenes documented here...
an Emperor Norton cosplayer who "knighted" Belli at the 1960 Belli-staged dedication of two Gold Rush-era buildings that Belli had restored — one of which he would use for his law office
Belli's own cosplaying of the Emperor for a San Francisco Examiner magazine feature in 1987
Belli's interviews comparing public birthday parties he threw for himself in 1982 and 1987 to imagined birthday celebrations for Emperor Norton in the Emperor's day
...Belli invoked the Emperor in ways that suggested a link between his fight for justice and his flair for the eccentric.
Indeed, Belli's Norton-flavored theatrics helped his audiences to see that — as with Emperor Norton — his own eccentricity was a key to his influence.
Click below for stories, photographs, newspaper clippings, and video.
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In the 17 years since the San Francisco Chronicle noted in 2004 that the Emperor Norton Sundae no longer was on the menu at the Ghirardelli ice cream shop in San Francisco's Ghirardelli Square, the conventional wisdom has held that 2004 was when the “Emperor Norton” was removed.
But, I always have pointed out that 2004 is when the absence was noticed and reported as news — the removal itself could have happened earlier.
Turns out I was right. But, the cherry on top may be that the Emperor Norton Sundae has been hiding in plain sight at Ghirardelli — under a different name — for 20-plus years.
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On 16 February 1880 — a little more than a month after Emperor Norton’s death on 8 January — the San Francisco Board of Supervisors conveyed the Emperor’s main personal effects to the Society of California Pioneers.
San Francisco Police Chief Patrick Crowley, who famously had released the Emperor from jail in January 1867 — the morning after an overzealous member of the police auxiliary had falsely arrested the Emperor on bogus charges of vagrancy and lunacy — had one more item to add to the Pioneers’ new collection of Imperial artifacts.
The Police Department had been holding on to it for 15 years.
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An abiding concern of Emperor Norton was for the welfare of immigrants. The Emperor issued numerous Proclamations and took other actions in the defense and support of specific immigrant communities — notably, the Chinese, German and French.
More broadly, Emperor Norton wanted to ensure that the basic needs of arriving immigrants be met. This included his determination that cash-poor immigrants have enough money to get started in their new country.
His concern for the financial security of immigrants was evident at least as early as November 1867, when he issued a brief Proclamation that appeared in the San Francisco Examiner.
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By the time Max Cohnheim arrived in San Francisco in 1867, at around age 41 — Cohnheim had immigrated to the United States in 1851 — he already was a noted German-language writer, editor, playwright and sometime actor of political satire.
On 17 June 1871, Cohnheim debuted his latest satirical magazine, the San Francisco Humorist. The inaugural issue featured a comic illustration of the Emperor Norton conferring with another well-known street character of the day — a dandy who styled himself The Great Unknown.
It seems likely that the Emperor and the Unknown at least would have been acquainted with one another.
Read on to learn more about the Great Unknown and to see this early illustration of Emperor Norton — an illustration, drawn during the Emperor’s lifetime, that probably has lain in obscurity for decades and probably has seen by very few people at all since it first was published nearly 150 years ago.
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Emperor Norton’s on-point attendance at an early event of the Order of Freedom’s Defenders — a Unionist-Republican political club dedicated to preserving Lincoln's legacy; advancing Reconstruction; electing Grant as President; and securing the Constitutional protections necessary to guarantee the civil rights of African-Americans — can be seen as “of a piece” with the Emperor’s broader commitment to African-American equality.
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In spring 1961, two establishments opened in San Francisco.
One was a hotel bar on Geary Street. The other was a lunch spot and cocktail lounge on Maiden Lane.
Both were less than two blocks from Union Square.
One was created by a designer who went on to be celebrated in the pages of the Architectural Digest. It had an "Emperor Norton" doorman. And, per Herb Caen, it once was host to Jack Dempsey and Lefty O'Doul — sharing a bowl of peanuts on the same night.
The other was home to a new portrait of the Emperor commissioned by the San Francisco Chronicle.
Both were called the Emperor Norton Room.
Here’s the intriguing story of two Nortonian stars that briefly rose and just as quickly fell in the same San Francisco season.
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In February 1869, the U.S. Congress passed the Fifteenth Amendment, which would have the effect of extending the right to vote in the United States to all men of color.
Ten months later — as ratification was making its way through the states, and with California still in the balance — a respected African-American editor and activist named Peter Anderson gave a lecture in favor of the Amendment at the African Methodist Episcopal Zion church, on Stockton Street in San Francisco.
Emperor Norton showed up, took a seat down front and was “an attentive listener,” according to the San Francisco Examiner.
The Amendment was ratified in February 1870 — no thanks to California, where the legislature rejected the Amendment against a backdrop of anti-Chinese racism in the state. But, Anderson — the editor of the African-American-owned and -operated Pacific Appeal newspaper — may have remembered Emperor Norton’s solidarity when, late that year, he took on the Emperor as a regular contributor to his pages.
Over the next four-and-a-half years, Anderson would publish — almost always on the front page — some 250 of Emperor Norton’s proclamations, including those insisting on the rights of African-Americans to attend public schools and ride public streetcars.
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A May 1956 episode of the television series Telephone Time is one of the four films currently included in The Emperor’s Bridge Campaign’s digital ARchive of Emperor Norton in Art, Music & Film (ARENA).
The series was created, produced and hosted by John Nesbitt. And the episode is titled “Emperor Norton’s Bridge,” although the Bay Bridge — the Emperor’s bridge — appears nowhere in the story.
As it happens, though, Nesbitt — starting years before the airing of the episode — was a lifelong advocate for naming the Bay Bridge after Emperor Norton.
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One of the most popular stories about Emperor Norton has the Emperor dispersing an anti-Chinese riot by standing before a racist mob and saying the Lord’s Prayer over and over. But, there never has been a date or documentation for this incident.
The Emperor’s Bridge Campaign has discovered what we believe to be the first document that stands to lift key elements of this story out of the realm of legend and into the realm of history. We share it here.
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