The Emperor Norton Trust

TO HONOR THE LIFE + ADVANCE THE LEGACY OF JOSHUA ABRAHAM NORTON

RESEARCH • EDUCATION • ADVOCACY

Filtering by Category: Original sources

The Emperor of Brooklyn, Part 2

In 2015, we published a piece, “The Emperor of Brooklyn,” about Emperor Norton’s connection to Brooklyn, Calif., an area southeast of Lake Merritt, in Oakland, that was an independent township from 1856 until it was annexed to Oakland in late 1872.

The main documentary evidence for this connection was a couple of Proclamations that were published in the San Francisco-based Pacific Appeal. The Emperor had designated the Appeal his as his “imperial gazette” in December 1870 — and, ultimately, the paper published some 250 of his Proclamations. But, these particular Proclamations were datelined “Brooklyn.”

It turns out that these and other Proclamations were published simultaneously — sometimes originally — in a short-lived Brooklyn weekly called the Brooklyn Home Journal and Alameda County Advertiser.

Read on to learn about this newspaper; exactly where it was located; Emperor Norton’s visits to the paper’s offices; and the respect the paper paid to the Emperor in 1872.

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Did Emperor Norton Really Live at the Eureka Lodgings on Commercial Street for 17 Years?

The received wisdom, since the time of Emperor Norton’s death in January 1880, has been that the Emperor lived at his final and most famous San Francisco residence — the Eureka Lodgings, at 624 Commercial Street between Montgomery and Kearny — “for seventeen years.”

That was the phrase that a number of San Francisco papers used in their obituaries and funeral notices. The most influential Norton biographers of the twentieth century extrapolated from this that the Emperor lived at the Eureka from 1863 to 1880. And, now, this claim is firmly ensconced as one of the most oft-invoked tenets of the biographical catechism of Norton I.

But, the directories of the period don’t support an 1863 arrival date.

Rather, they suggest that the Emperor might have taken up his room at the Eureka Lodgings as late as summer 1865.

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The Emperor Was Not Amused

Ostensibly, this is a piece about our recent discovery of a Proclamation in which Emperor Norton, in 1867, prohibited unauthorized stage depictions of himself.

But, a theater’s offending play and the Emperor’s response are the bread of the sandwich on offer here. The real meat is a brief history of the varied theatrical/“amusement” enterprises and their producers/impresarios that, over the course of a decade or so in the 1850s and ‘60s, occupied the second floor of the building where the play was staged — a building just around the corner from the Emperor’s imperial digs on Commercial Street in San Francisco.

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An 1875 Photo Captures the Flavor of the Street Adjacent to Emperor Norton's Publisher and Printer

Much of the relevant background is in the title.

The rare, fine-grained, wonderfully textured photograph, a stereoview, is by J.J. Reilly.

It's beautiful.

What's left is to get your bearings and see the view — which you can do by clicking below!

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The Mid-Century Advertising Origins of an Emperor Norton Illustration That Still Is Finding New Life After 50 Years

There’s a familiar and popular illustration of Emperor Norton that most Nortonians know because it appeared on a Discordian flyer created by Greg Hill a.k.a. Malaclypse the Younger.

Hill wasn’t just any Discordian. He was one of the two co-founders of Discordianism, the mystical “anti-religion” that reveres Emperor Norton as a saint. It is Hill qua Malaclypse who is credited with the oft-quoted aphorism: “Everybody understands Mickey Mouse. Few understand Hermann Hesse. Hardly anybody understands Einstein. And nobody understands Emperor Norton."

But, it wasn’t Hill who drew the Emp that is featured on his flyer. He cribbed the illustration from one of the most influential corporate advertising firms in the United States. The illustration was work the firm had just done for an Old West banking client that has been a household name for generations.

The ad firm already had a connection of sorts to the Emperor. Soon — 50 years ago this past July — the firm would create what now is regarded as one of the most legendary ads in the history of the discipline.

The obscure origins of the firm’s portrait of the Emperor have remained hidden for decades.

Read on to see what’s under the rock. It’s a fascinating story.

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Norton Sibling Exodus, 1838–1851

Published accounts of the young Joshua Norton living in South Africa in his 20s — including the accounts presented by Norton’s major biographers — more or less universally treat Joshua as though he were a romantic hero (or a loner) forging both (a) his views on religion and (b) his desire to leave South Africa within an hermetically sealed vacuum occupied by him, his parents and possibly his two nearest siblings, Louis and Philip.

In this interpretation, Joshua is the only sibling who is asked to answer for apparently having rejected the Jewish faith of his childhood as a young man. Louis, Philip and other siblings are given a pass, because they are regarded as having had an alibi: marrying a “Gentile” in a place where there were few Jews to choose from.

But, who’s to say that these siblings didn’t entitle themselves to marry outside the faith, in part because they, like Joshua, already were pulling away? Norton biographer Bill Drury even goes so far as to say that Joshua’s young adult mockery of Judaism was the first sign of his “madness.” But Drury doesn’t brand Joshua’s fraternal siblings, Louis and Philip, as “mad” for not marrying “a nice Jewish girl” and for getting baptized to boot.

In the following generation, most (all?) of the siblings’ children — presumably with the encouragement and blessing of their parents — were baptized and married by the Anglican Church. So, even if Joshua’s Jewish siblings initially “went Anglican” as “a marriage thing,” their assimilation into the Anglican tradition doesn’t appear to have ended there.

Too: In the prevailing interpretation, Joshua’s primary motivation for leaving South Africa is that his parents and his brothers, Louis and Philip, had died between 1846 and 1848, leaving unmarried Joshua to collect a big inheritance check and catch the first ship to San Francisco.

This wishful version of events falls apart, as soon as one realizes that Joshua’s father, John, was declared insolvent as early as 1844 — and that Joshua actually left Cape Town in late 1845, before his parents and brothers had died.

So, one has to look to other sources to help explain Joshua’s “moves” during this period.

One option — and where existing accounts fail — is to recognize that Joshua was one of a dozen siblings — several of whom, in the late 1830s and early 1840s, were hammering out their own attitudes and actions on “religion and travel” at the same time that Joshua was.

It stands to reason that Joshua was influenced by the choices his siblings were making in these areas. Perhaps Joshua and one or two of these siblings confided to one another about all this. A fully realized narrative of Joshua’s life during this period has to position him within this sibling dynamic.

The truth is that Joshua Norton was not the only one of his siblings who put some distance between themselves and the Jewish faith of their childhood — and who also got it together to leave South Africa.

He wasn’t even the first — or the last.

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Emperor Norton's Sister, Aficionado of Anemones

Pull up a chair for the fascinating and enigmatic story of Emperor Norton’s younger sister, Selina Jane.

Born on the Cape of Good Hope in 1824, when Joshua, the future Emperor, was 6 years old, Selina “married Scottish” and married well — twice.

Selina had moved to England by age 20. She had four daughters with her first husband, a MacLeod, living first in Kent, then near Glasgow, then back down in Devon.

Shortly after her first husband died, Selina married a Mackenzie, whose prominence as a Scottish lawyer brought her to Edinburgh.

Two years later, this second husband died. A few years after that, Selina moved from Edinburgh to the North Sea cloister of St. Andrews and was gone herself within a year or so — at 45. But, her three surviving daughters continued to live in, and next door to, the St. Andrews house for another 20 years.

Along the way, Selina in 1861 wrote and published a lovely, finely observed article about her sea anemones — whom she called her “drawing-room pets.”

The article — and many, many other details — are documented here thoroughly, if not very deeply.

It’s tantalizing evidence that makes me want to learn more of the Emperor’s little sister.

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The Latter-Day Twain-ification of an Early Theatrical Depiction of Emperor Norton

Emperor Norton biographer William Drury made the grandiose claim, in 1986, that the first theatrical depiction of Emperor Norton took place on 17 September 1861 — the second anniversary of the Emperor’s self-declaration in 1859 — and that this was the inaugural production of the theater itself, which opened on this date.

This isn’t true. And, that’s putting it mildly.

But, as born out by historical newspaper documents from 1860 and 1861 — probably getting their first truly public broadcast here — what is true is interesting on its own.

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A Ring to Kiss?

In three late-in-life studio portrait photographs — taken c.1878 by two different studios — Emperor Norton can be seen wearing a mysterious ring.

Were the rings shown in these photographs one and the same? Or were they different?

Was one, or both, a gift? If so: Did one, or both, of the rings feature an Emperor Norton insignia or inscription of some kind?

Was one a Masonic ring — a symbol the Emperor’s membership in Occidental Lodge No. 22 of Free and Accepted Masons?

Was the Emperor buried with one of these rings?

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Joshua Norton's Losses, 1854–1856

In October 1854, the California Supreme Court upheld a lower-court ruling against Joshua Norton & Co. in Ruiz v. Norton — the famous “rice case.”

Details of the fallout from this ruling suggest that Joshua already was overextended and carrying heavy debt before the rice fiasco; that he was overinvested — and highly leveraged — in real estate; and that, in general, his wealth was much more fragile and precarious than often is supposed.

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Joshua Norton in the Census of 1870

It long has been known that the U.S. Census of 1870 recorded Emperor Norton as “Insane.”

Much less often noted is that this Census also marked the Emperor as having his voting rights “denied or abridged.”

But, exactly how were these determinations made? Census takers were known as Assistant Marshals. And, clues (presented here) from the U.S. Census Office’s Instructions to Assistant Marshals for 1870 strongly suggest that Emperor Norton could have been deemed “Insane” and had his voting rights stripped based on little more than a private conversation between the census taker and the Emperor’s landlord at the Eureka Lodgings.

Included here are images from the Instructions as well as a rarely seen hi-res view of the full Census page showing Emperor Norton’s listing alongside the listing of every other person residing at the Eureka when the census taker paid his call to the Eureka on 1 August 1870.

What emerges from the listings is a portrait of an establishment that — based on the range of occupations of the tenants — should not be characterized by words, like “flophouse,” that later accounts have used to downgrade the Emperor’s residence.

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Bill Drury's "Emperor Norton Bridge" Petition of 1986

The late Phil Frank is known and even beloved in Norton circles for a particular series of his Farley comics with which — between September and December 2004 — Frank sought to educate the San Francisco Chronicle’s readership about Emperor Norton while also taking up the cause of naming the San Francisco–Oakland Bay Bridge after the Emp.

The series is credited with having built much of the momentum for the introduction and passage of a San Francisco Board of Supervisors resolution in December 2004 calling for the new Eastern section of the Bay Bridge to be named the Emperor Norton Bridge.

What appears to have escaped the notice of most Nortonians, even those who consider themselves “tuned in” on bridge matters, is that (a) Frank had weighed in on the “Emperor Norton Bridge” imperative 18 years earlier, with a shorter series of Farley comics published in October 1986 — and that (b) this earlier series was prompted by an “Emperor Norton Bridge” petition drive launched and advanced in 1986 by William Drury, whose new biography on the Emperor was being published, promoted and reviewed at the same time.

This “memory rescue” of a key moment in “Emperor Norton Bridge” advocacy includes archival audio of a 2004 NPR interview with Phil Frank, in which Frank references the earlier petition, as well as the complete — and rarely seen — series of Frank’s 1986 Farley comics that were inspired by the petition.

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Early 1950s Push to Find a Home for Storied But Snubbed Emperor Norton Plaque

When the fraternity of E Clampus Vitus sought in 1939 to place a plaque honoring Emperor Norton at the Transbay Terminal, in San Francisco, the California Toll Bridge Authority — the developer and de facto owner of the Terminal — said No.

Finally, in 1955, the plaque was installed at the Cliff House. But, a lingering question has been: What did the Clampers do to find a home for the plaque in the 16 years between 1939 and 1955?

Certainly, World War II made it difficult to push the project forward. But, even allowing for that, we’ve uncovered some news accounts suggesting that there was more behind-the-scenes activity than previously thought.

It appears that the Clampers continued to make appeals to the Bridge Authority for at least 18 months in 1939 and 1940.

And, the effort that resulted in getting the plaque at the Cliff House in 1955 started at least 5 years earlier, in 1950 — with several brick walls on the path to the first proper dedication.

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Norton Biographer Allen Stanley Lane’s Presentation Copy Twofer

Allen Lane wrote the first of only two book-length biographies of Emperor Norton that have been published.

The book hit the shops in February 1939.

Last week, I acquired a very special presentation copy of Lane’s biography. In fact, it’s the copy that Lane gifted to his parents on their anniversary, when the book was published.

Information in the inscription prompted me to do some digging into Lane’s story — something that long has been something of a mystery in Norton circles. What I discovered will be new, I think, to those who know Lane only as a Norton biographer.

Read on to learn more about Lane — and to get the second part of the twofer.

Includes an image of Lane’s inscription and a rare photograph of Lane that he included with the book.

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Joshua Norton in Occidental Lodge No. 22 of Free and Accepted Masons

Popular accounts of Emperor Norton — including the respected 1986 biography by William Drury — have Joshua Norton as a “charter member” of Occidental Lodge No. 22 of Free and Accepted Masons.

This is inaccurate. It also is not the point.

For what bears real consideration is that Joshua sought and was granted membership in the Occidental Lodge between May 1854 and May 1855, the very moment when — at every professional, legal, financial and personal level — he was approaching the depths of his instability, vulnerability and failure.

Also documented here: Two illustrious San Franciscans who were members of the Occidental Lodge at the same time that Joshua Norton was.

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Emperor Norton's Un-Final Resting Place

If you know the Emperor Norton story well enough to know that…

  • When the Emperor died in January 1880, he was buried in the Masonic Cemetery, in San Francisco.

  • As part of the Great San Francisco Cemetery Eviction of the early twentieth century, the Emperor’s remains were moved to new grave, at Woodlawn cemetery, in Colma, Calif.

  • The Emperor’s reburial ceremony took place at Woodlawn on 30 June 1934.

…you may have assumed that the Emperor “remained” at the Masonic Cemetery more or less until the time of the reburial ceremony.

In fact, Emperor Norton was disinterred 20 months earlier.

So, where were Emperor Norton's remains located from the time they were disinterred in San Francisco in October 1932 until the time they were reburied in Colma in June 1934?

Here are a few clues.

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Joshua Norton First Set Foot in the United States in 1846 — in Boston

In the United States, the prevailing narrative about Joshua Norton, for 80 years and more, has been that

  • Joshua did not leave Cape Town until late 1848 or early 1849 — prompted by the deaths of both parents and his two nearest siblings between May 1846 and August 1848, and possibly also by news of the California Gold Rush.

  • He sailed directly from Cape Town to Rio de Janeiro, arriving in Rio early to mid 1849, and from Rio to San Francisco.

  • He may have spent a few months in South America between his arrivals in Rio and San Francisco.

  • His introduction to the United States was his arrival in San Francisco in late 1849.

But a persuasive body of evidence — including a passenger list, a disembarkation ticket and two newspaper arrivals notices — points to a different reality: Joshua Norton initially sailed from Liverpool to Boston, arriving in Boston in March 1846.

This means that Joshua probably left Cape Town no later than November 1845 — and that the reasons for his departure had nothing to do with family deaths or the Gold Rush.

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Joshua Norton, Auctioneer

Did you know that, when Joshua Norton was living in Port Elizabeth, South Africa, in the early 1840s, he did a stint as an auctioneer? We didn’t!

Every new dot makes the picture a little sharper.

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Joshua Norton of Jackson Street

Two of the most basic modern assumptions about the locations and business enterprises of Joshua Norton in 1852 San Francisco appear not to bear scrutiny.

The assumptions — that Joshua Norton held forth from facilities that he “built” on 3 of the 4 corners of Sansome and Jackson Streets, and that one of these facilities was a rice mill — were espoused and may, in part, have been created by Norton’s 1986 biographer, William Drury.

But, Drury’s claims were undocumented. A deep-dive into the documentary record points to a different picture.

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Rarely Seen Version of Familiar Photo Reveals Clearer Picture of Emperor Norton

In the mid to late 1870s, the Bradley & Rulofson studio created one of the seven photo-portraits of Emperor Norton the studio is known to have taken of the Emperor during his reign. The seated Emperor is holding his favorite walking stick, and his Chinese umbrella is propped against the chair.

The best-known version of this photograph appeared in a book published in 1964. The photo appears very dark — which adds to the mood but also obscures many details.

Here, we present a rarely seen brighter, more balanced — and more revealing — version of the photo that appeared in 1961.

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