The Emperor Norton Trust

TO HONOR THE LIFE + ADVANCE THE LEGACY OF JOSHUA ABRAHAM NORTON

RESEARCH • EDUCATION • ADVOCACY

Filtering by Category: Research

Joshua Norton First Set Foot in the United States in 1846 — in Boston

In the United States, the prevailing narrative about Joshua Norton, for 80 years and more, has been that

  • Joshua did not leave Cape Town until late 1848 or early 1849 — prompted by the deaths of both parents and his two nearest siblings between May 1846 and August 1848, and possibly also by news of the California Gold Rush.

  • He sailed directly from Cape Town to Rio de Janeiro, arriving in Rio early to mid 1849, and from Rio to San Francisco.

  • He may have spent a few months in South America between his arrivals in Rio and San Francisco.

  • His introduction to the United States was his arrival in San Francisco in late 1849.

But a persuasive body of evidence — including a passenger list, a disembarkation ticket and two newspaper arrivals notices — points to a different reality: Joshua Norton initially sailed from Liverpool to Boston, arriving in Boston in March 1846.

This means that Joshua probably left Cape Town no later than November 1845 — and that the reasons for his departure had nothing to do with family deaths or the Gold Rush.

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Joshua Norton, Auctioneer

Did you know that, when Joshua Norton was living in Port Elizabeth, South Africa, in the early 1840s, he did a stint as an auctioneer? We didn’t!

Every new dot makes the picture a little sharper.

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Joshua Norton of Jackson Street

Two of the most basic modern assumptions about the locations and business enterprises of Joshua Norton in 1852 San Francisco appear not to bear scrutiny.

The assumptions — that Joshua Norton held forth from facilities that he “built” on 3 of the 4 corners of Sansome and Jackson Streets, and that one of these facilities was a rice mill — were espoused and may, in part, have been created by Norton’s 1986 biographer, William Drury.

But, Drury’s claims were undocumented. A deep-dive into the documentary record points to a different picture.

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Rarely Seen Version of Familiar Photo Reveals Clearer Picture of Emperor Norton

In the mid to late 1870s, the Bradley & Rulofson studio created one of the seven photo-portraits of Emperor Norton the studio is known to have taken of the Emperor during his reign. The seated Emperor is holding his favorite walking stick, and his Chinese umbrella is propped against the chair.

The best-known version of this photograph appeared in a book published in 1964. The photo appears very dark — which adds to the mood but also obscures many details.

Here, we present a rarely seen brighter, more balanced — and more revealing — version of the photo that appeared in 1961.

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The Other Side of Bagley Place

In recent years, there have been several claims on social media and elsewhere that Emperor Norton’s funeral in 1880 took place on the northeast corner of Bagley Place and O'Farrell Street, in San Francisco — on (or nearest to) the site of a building, still standing, that opened in 1910 as a bank; that in the last decade has housed an Emporio Armani store; and that today is home to the Museum of Ice Cream.

The temptation to connect this site to the Emperor’s funeral is understandable. The heavy, domed, stone-clad, temple-like edifice that now occupies the site has more than a touch of the funereal. Until very recently, the building had on the O’Farrell Street side medieval-looking, vault-like wooden doors that only added to the effect.

But, most likely, Emperor Norton’s funeral was across the street.

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Caveat Emptor

The informational web pages on Emperor Norton that were created and posted during the earliest days of the Internet are some of the most frequently shared resources on the Emperor. They also are some of the least historically reliable.

Here’s our shortlist of Norton pages that those who care about the Emperor’s legacy should “handle with care.”

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The "Emperor Norton" Disappeared from the Ghirardelli Menu a Decade Earlier Than Believed

In the 17 years since the San Francisco Chronicle noted in 2004 that the Emperor Norton Sundae no longer was on the menu at the Ghirardelli ice cream shop in San Francisco's Ghirardelli Square, the conventional wisdom has held that 2004 was when the “Emperor Norton” was removed.

But, I always have pointed out that 2004 is when the absence was noticed and reported as news — the removal itself could have happened earlier.

Turns out I was right. But, the cherry on top may be that the Emperor Norton Sundae has been hiding in plain sight at Ghirardelli — under a different name — for 20-plus years.

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Rarely Seen 1876 Photo Offers a Tiny First Glimpse of Emperor Norton's Residence

From late 1862 / early 1863 until his death in January 1880, Emperor Norton lived at the Eureka Lodgings — a kind of 19th-century SRO located at 624 Commercial Street, on the north side of Commercial between Montgomery and Kearny Streets, in San Francisco.

There is a handful of 1860s–1880s photographs, taken from across Montgomery or Kearny, that show distant views of the 600 block of Commercial Street.

What we’d never seen, though, is a photo of the 600 block of Commercial taken during the Emperor’s lifetime — taken from within the block — and showing the real, intimate flavor of the section of the street where Emperor Norton lived.

Our discovery, hidden in plain sight, is a c.1876 photograph apparently taken by Eadweard Muybridge.

A bonus: The photo appears to reveal a glimpse of the Eureka Lodgings itself.

If we’re right about this, we may have produced the first-ever visual ID of photographic evidence of the Emperor’s residence.

Kind of a big deal.

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Dating the Earliest Extant Photograph of Emperor Norton

It appears that the earliest known photograph of Emperor Norton is a little earlier than we thought — and earlier than anyone else has said.

The case for the time frame that we focus on here draws on early artistic depictions of the Emperor and on one of the Emperor’s earliest sartorial choices, which is documented in an easy-to-miss newspaper item from May 1860.

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Author & Journalist Gary Kamiya Cites Emperor Norton Trust in Correction on "Frisco"

In the Trivia Time feature that accompanied his 19 September 2020 history column for the San Francisco Chronicle, historian Gary Kamiya stated that Emperor Norton imposed a $25 fine for using the word “Frisco.”

In the Trivia Time that ran with his next column, published on 3 October 2020, Kamiya issued a correction and cited Emperor Norton Trust founder John Lumea as the authority for saying that “no primary documents have been found to support this claim.”

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What Did Andrew Smith Hallidie Know About Joshua Norton's Original Funding?

The conventional “wisdom” is that Joshua Norton arrived in San Francisco in 1849 with a $40,000 bequest from the estate of his father, John Norton, who had died in 1848.

But, if Norton arrived with $40,000, he almost certainly didn’t get it from his father — who had died insolvent and broke.

So, what was the source of Joshua Norton’s original funding — $40,000 or otherwise?

Andrew Smith Hallidie, the “father of the cable car,” knew Joshua Norton as Emperor — and probably before that as well.

In 1888, Hallidie published an article suggesting that Norton had arrived in San Francisco as a “representative and confidant” of English backers.

This is quite different from the account one often hears.

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Emperor Norton, the Phoenix and the Branding of San Francisco

Photographs of Emperor Norton show that, just as the Emperor had a favorite walking stick, he also had a favorite hat pin — in the shape of a spread-winged bird.

Artists in the Emperor’s day painted and drew him wearing this pin.

It’s not surprising that contemporary San Francisco artists have rendered the bird as a phoenix.

Alas — spoiler alert! — it turns out that Emperor Norton did not wear a phoenix in his hat; the Emperor’s bird was a military American eagle.

But, this particular eagle does trace its heraldic roots to a phoenix — albeit it not a San Francisco one.

The fascinating story of how the phoenix of Scottish heraldry was transformed into the eagle of U.S. government iconography traces through the righteous Scottish cause of Bonnie Prince Charlie, the Continental Army coat buttons of George Washington and the design of the Great Seal of the United States.

One could say that Emperor Norton was wearing an eagle and a phoenix all at once: appropriate for an Emperor of the United States whose Seat was in the cool, grey city of love.

Pull up a chair!

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Charles A. Murdock, Second and Last Printer to Norton I: A Photo Gallery

Charles Murdock was a friend of Emperor Norton.

He also was a fine printer who created and produced the Emperor’s promissory notes for two years — from January 1878 until the Emperor’s death in January 1880.

Here are four rarely seen photographs of Emperor Norton’s printer and good friend.

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Stereographic Photos of Emperor Norton on a Chinatown Street (Hi-Res Edition)

Last week, a long-rumored and probably unpublished pair of stereocard photographs of Emperor Norton on a street in San Francisco’s Chinatown appeared on Facebook.

The Emperor Norton Trust is delighted to be able to publish, for the first time, large, hi-res images of the original stereocard, courtesy of the previous owner.

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Emperor Norton in the Artistic Taxonomy of Antonio Sotomayor

The Emperor Norton mural in The Pied Piper, at the Palace Hotel, in San Francisco — painted by the city’s longtime “artist laureate,” Antonio Sotomayor (1904–1985) — is one of the best-known and -loved Emperor-themed works of art.

A newly discovered art-historical survey done for the San Francisco Arts Commission in 1953 offers an elusive date for the painting — and a new way of seeing it.

Includes rarely seen photographs.

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Emperor Norton, Political Independent, Gives a Speech in 1875

Here, we document our discovery of something we’ve never seen reported elsewhere: Emperor Norton’s attendance and participation at a “no party” political meeting held at the Mercantile Library, San Francisco, on 13 July 1875.

The Emperor’s role is included in next-day accounts from two San Francisco newspapers — the Daily Evening Bulletin and the Daily Alta California — as well as in a San Francisco dispatch that appeared in the Los Angeles Evening Express.

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Of Medals and Medallions: Four Artifacts of Mid-20th-Century “Norton Culture”

The period of the 1950s and ‘60s was a high-water mark of the Norton Cultural Complex in San Francisco.

Probably the best-known engine of “Emperor Norton awareness” during this time was the San Francisco Chronicle’s Emperor Norton Treasure Hunt. But, there were many other Norton-related projects, too — and some of them left behind beautiful physical traces.

At least three — perhaps all four — of the Nortonian artifacts discussed here trace their origins, production and promotion to the Chronicle.

And, two of them — a medallion and a medal — are relics of a “Grand Order of the West” that remains very mysterious indeed.

Includes rarely seen photographs.

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